英文的導游詞（精選8篇）
英文的導游詞 篇1
Tibet lies on the Qinghai-Tibet Plateau of the southous Region and Qing Hai Province, to the e from a variety of ethnic groups including Tibetan, Han, Monba and Lhota. Its capital city is Lhasa.
Northe to a variety of unusual and unique animals. Across the northern expanse of Tibet, you can see vast grasslands e to visit Tibet only in the e local products. The Su dam and White dam are of the most famous scenic spots in China. They divided the lake into halves, seemed like te house lets. There are there islands in the center of the lake: RuanGong, HuXin, and YingZhou. HangZhou is one of the six ancient capitals in China, and it last 2,000 years history. Not only famous for the Natural scenery and Cultural charm, but also for its delicacy, crafts, and calligraphy of historical figures. As the Silk City of China, there are all kinds of silk products;tapestry is the especially beautiful one among them. Other specialties are black-paper-fans, silk umbrella, and West Lake Longjing Tea. Generally, the appropriate time for going sightseeing near the West Lake in HangZhou should be te to Yunnan, Welcome to Tengchong! It’s my honor to be your guide. Today eters. There are 23 nationalities here, such as nationalities and so on. When e into mind, ething about the latter teto that you can see so many volcanoes are in Tengchong. There are 97 volcanoes in Tengchong now with high value of tourism and scientific research.
英文的導游詞 篇2
North slope of Changbai mountain tour guide Ladies and gentlemen:
Are you! Welcomes you to the national nature reserve of Jilin province for sightseeing, I'm the tour guide here, are very pleased to have the opportunity to accompany you and visited the Changbai Mountains, I would like to wholeheartedly at your service, and sincerely wish you a good trip! Dear Comrade DENG Xiaoping's tour of the Changbai Mountains, said: "nothing in Changbai mountain lifelong regret! "After staying at Changbai mountain today, Yes, I think you will have a deeper experience – Changbai eco-
tourism, nature will be your first resort. (Arrival after the entrance on the northern slope)
My friends, you have now entered the world-
famous national nature reserve of Changbai mountain, I now briefly to introduce the Changbai mountain protected areas. Changbai mountain nature reserve was established in 1960 year1980 joined the international man and biosp
here reserve network, was classified as a natural reserve in the world,1986 year was listed as types of national-
level forest and wildlife nature reserves;20__ years 5 menstrual duly authorized by the China National Tourism Administration for the national 5 a -
Level tourist scenic spot;20__ year 8 national geological relics protection leading group approved of menstruation, granted in Changbai mountain national geo-
Park of qualification. 20__ years 11 months, Changbai mountain wins ' top ten leisure attractions '
Well-
defined vertical vegetation landscape zones. From the foot of the mountain with only dozens of kilometers of the trip, but the vertical distribution of landscape seem to have experienced change from temperate to Arctic Eurasia thousands of kilometers, visitors can feel within a few hours from temperate to boreal have different natural views, traveled halfway around the world, experienced a summer season, really was; quarterly ten different days.
As the tour bus driving, is an experience: the underground forest, relay station, blue view your car at the car park, waterfalls, the four locations for your sightseeing tickets in the hands of attractions in the upper position of the floor plan, you can specify the location in the car.
The travelers, turned 72 road bend, a pond and we are within easy reach. We'll see around tianchi altitudes above 2500 m 16 mountain peaks, Baiyun peak elevation, highest peak of which 2691 m. You now before the third Summit of the mountain is Changbai -----
wenfeng, elevation of 2670 meters, it was the first great north slope overlooking a pond. Stood down in the top of the hills overlooking the whole Pond Pond can be seen across the North Korea's hydrological stations and climbing a cliff. Pond is in the boundary Lake. Lake elevation 2189.1 m waters in an area of 9.82 square kilometers, water level and maximum depth of 373 m, average depth of 204 meters, miles north to 4.48 km West and 3.37 km, surface perimeter 13.1 km Water has a total water storage capacity of
20.4 billion cubic meters per year average water surface evaporation is 450 mm, precipitation during the year 1333 mm and annual temperature of -11 degrees, is the lowest temperatures in our province, rainfall maximum and minimum of evaporation area, pool water is colorless, mild, it is said that there is no water creatures, only 80 Age and North Korean territory in the 100 a cold water fish. Tianchi important that there is only one outlet no inlet, but Lake elevation is middle age remains the same, the last scientist to visit him, that it was largely dominated by groundwater and spring water, rainfall, supplemented, therefore became a major factor in changbaishan tianchi year-round flows.
Lake Tianchi Monster, many from 1962 years start with a lot of people watch the Lake Tianchi Monster hand and took photos, scientists on the tianchi monster, there is no real scientific explanation so far. (Batu)
Batu is the main peak of changbaishan tianchi a cliff halfway up air outlet, located next to the main peak of the north side of the road, is overlooking two White River Canyon, overlooking the view of waterfall pouring down the North exit of tianchi in Changbai mountain's great attractions. You're standing on the cliff, Nick, you'll see him head-
on confrontation with two White River Canyon, long white falls, trough to the cliff top altitude difference 500 m or so, as if it were two natural standing on top of screens. No wind to weather this, look up at the cliffs and steep Zhi, galloping w, overlooking the Spa transpiration, white and surges, it is scenery infinite at the perilous peak. Once surging over the pond, where pebbles are swept along the ground, muddled, at this point, if not gently rock climbing climbing, you risk being wind blade.
Visit tianchi Lake, take the sport utility vehicle to return to the pit stop. We take the sight-
seeing front row the Blue King parking lot. (Green Kettle Lake) (SPA group) Spa group of formed is due to Changbai mountain rich of atmospheric precipitation, part brings together into Sanjiang source (Songhua River Tumen Riv
er Yalu River) and another part along fault, and fractured infiltrated underground, is geothermal gradually heating formed groundwater,
groundwater bear with side groundwater of huge pressure and thermal convection role, along pressure
small of direction, as rock of fractured, and fault,, from deep Department emission surface, formed has today of Spa group. Hot spring water contains various mineral check one very useful elements of the body, can treat many diseases like arthritis, rheumatism, and so on. Hot Springs area of a group of 1000 Meters, determination by scientists, the water temperature at 60 degrees ---
82 degrees Celsius, is a high thermal hot springs. Changbai mountain hot springs group dynamic constant year round water flow, water temperature, and water, high water temperature, good water quality, flow and distribution of key, is the highest in the spring. Tourist resort of Changbai mountain, Longquan German boiled eggs, be sure to taste the poly. Spring water boiled eggs are cooked from the outward, solidification of egg yolk and egg white in a State of semi-
solidified, while there is a hint of sulfur, salt noodles and another flavor. (In Changbai mountain falls)
After visiting the hot springs farm, go watch the waterfall is the only outlet pond, Longmen, and this outlet is excluded from the peak peak and days the gap in the Middle, called Hsi Tang tearoom. Pond water flowing from the Hsi Tang tearoom, way to 1250 m Cha, unable to take the river beiliu, Hsi Tang tearoom Portal means door meant that exports like natural makes a small door. From out of the water, formed a landlocked shortest River ===== Croucher Creek, also known as the "milky way".
英文的導游詞 篇3
Although Changchun has been more than 200 years old, it is still a young city comparing other historical cities in China, like Xian. Being the capital city of Jilin Province , Changchun is the political, economic and cultural center. If territory of China is in a shape of rooster, therefore Changchun is one eye of this huge rooster. You can imagine its important position. Spring City of Northland: The four seasons varies a lot and the climate is rather pleasant, therefore Changchun is honored Spring City of Northland. 39% of Changchun ground has been clothed with greenage, which makes Changchun one of top cities in this aspect. Green plants in and around Changchun make the city become a big oxygen bar, providing people to enjoy real fresh air.
City of Automobiles: Changchun is the cradle of Chinese automobile industry, a famous auto city in China. On July 13, 1956, a truck branded with Jiefang was produced, which opened a new age for Chinese auto industry. This truck was the first automobile entirely made by Chinese. Famous and Changchun International Automobile Fair makes Changchun a real City of Automobiles.
City of Films: Changchun Film Studio was the first one after the establishment of People's Republic of China. It is praised as the cradle of Chinese film industry. For dozens of years, a great many excellent films were produced here which gained a good fame for Changchun Film Studio both at home and abroad. As a calling card of Changchun, ceremonious Changchun Film Festival has enhanced its honor City of Film. People outside Changchun have known more about this city through film; while Changchun has presented more of itself by films.
It is undeniable that Changchun is also a good travel destination. The natural sceneries of Changchun lie in lakes and forests. Nanhu Park (South Lake Park), Jingyuetan National Forest Park are good places for you to enjoy the pleasure given by nature. Especially in winter the whole Changchun city will give you a real enjoyment of genuine winter. Besides, there are colonial vestiges, such as Puppet Emperor's Palace. Still Changchun Film Studio and Changchun Movie City provide you another different kind of enjoyment comparing with simply watching movies in cinemas.
As the fast development of tourist industry, those related tourist facilities in Changchun are also in a quick growth. Nowadays there are more than 30 star-rated hotels in Changchun, among which three hotels are five-star rated.
51 trains begin or pass by Changchun Railway Station everyday; more than thirty domestic airlines and four international lines of Changchun Longjia International Airport provide you much convenience of transportation. Four main speedways have connected Changchun with many parts of China.
Nightlife of Changchun is not as colorful and romantic as that of other big cities in China, such as Shanghai, Beijing, however, it has its own distinctive flavor which can be only known after you taste it in person. Various kinds of pubs, coffee bars, teahouses and other amusement centers will make you feel at ease.
英文的導游詞 篇4
Yuyuan Garden, located in the southern part of Shanghai, is a famous classic garden. The owner of the garden, Pan Yunduan, once a treasurer of Sichuan Province, had the garden built to please his parents in their old age. Hence the name of the garden “Yu”, which means “pleasing one’s parents”.
The construction started in 1559 but went on and off for lack of money and did not come to completion till 28 years later. Unfortunately, Pan’s father did not live to see the garden completed. What’s more, the Pans went down the drain and his descendents were eager to sell the garden. Some businessmen soon bought it at a low price and incorporated it into the City God Temple to become its “West Garden”, and later turned it into many trade guild offices. During the Opium War and the Taiping Revolution, foreign aggressors stationed their troops in the garden for more than once. So, the garden experienced repeated calamities in its history and lost much of its former grandeur. With the care of the people’s government since 1949, Yuyuan Garden has gone through many renovations with the recent one carried out in 1987 to restore its eastern part. And since 1982, it has been under the special protection of the State Council.
Yuyuan Garden is a residence garden and one of the best in southern China. Although a small one, with an area of only 2 hectares, it strikes visitors as quite large because of its zigzag layout. With pavilions, halls, chambers, towers, ponds and rockeries, it presents more than 40 vista points. At least 10,000 people visit the garden every day. No wonder people say “Those who have come to Shanghai but missed Yuyuan Garden and the City God Temple Bazaar cannot claim that they have been to the city.”
Before entering the garden, you will see a beautiful lotus pond. Across the pond is a bridge with a pavilion in the middle. The Mid-lake Pavilion was rebuilt in 1784 and converted into a teahouse 80 years ago. One of the best in Shanghai, the tea-house is a popular place for senior citizens, who enjoy chatting with each other over a cup of tea.
By the tea-house is a nine-zigzag bridge. The bridge is an indispensable part of a Chinese garden. It divides up the water space. A zigzag bridge slows down visitors’ pace so that they may enjoy the scenery more leisurely and it also enables them to have a different view whenever they make a turn. But why nine zigzags? It is because “nine” is the biggest digit before ten and is, therefore, a lucky number.
This is the Three Corn-ear Hall, the largest and tallest in the garden. Called the “Hall of Happiness and Longevity” at fir5st, it was a place where the host entertained his guests and held banquets. There are three plaques in the hall. The top plaque is “Mountains and Forests in the City”. It expresses Pan Yunduan’s love for landscape. As Shanghai lies in a flat country with no mountains or forests around, he had the garden built with plenty of trees and plants and rockeries, hoping to bring natural beauty into it. The middle plaque is “Lin Tai Jin Shi”. “Lin Tai” refers to the high terrace where the King of Zhou Dynasty offered sacrifices to his ancestors. The hall used to be a place for the gentry to explain and study the imperial edicts, so this plaque is used to suggest this function. The third plaque is “Three Corn-ear Hall”. After the hall was turned into an office for the rice and bean businessmen, the name was changed into “Three Corn-ear Hall”, reflecting the wishes of businessmen for a rich harvest. For the same reason, there are crops and fruits carved on the doors of the hall.
Yuyuan Garden boasts many lattice windows, which are found in the corridors and on the walls. They were covered by papers or foils of shells 400 years ago before glass was introduced as construction material. Built with a mixture of clay, lime and alum, each of them presents a different design. On the windows near the Three Corn-ear Hall are designs of pine, crane, and linzhi herb, which symbolize fortune, wealth, longevity and happiness.
Behind the Three Corn-ear Hall stand the Yanshan Hall (Hall for Viewing the Mountain) built in 1866. Opposite the hall is a beautiful rockery. Designed by Zhang Nanyang, a famous landscape architect, it is a rarity in southern China. While sipping tea with your friends in the hall, as the owner did, you can enjoy the rockery in front. As is described by the words on the plaque in the hall “High Mountain Ridges”, the 12-merter-high rockery hill, dumped with 2,000 tons of rocks, is noted for its steep cliffs and hidden, winding paths. It is no exaggeration to say that the rockery is the crystallization of the wisdom and creativeness of the working people as to move the rocks from 200-kilometer-away Wukang in Zhejiang Province alone was no easy job at all. What is more amazing is that the rocks were stuck together by cooked glutinous rice mixed with alum and lime, for at that time cement was not available. Visitors feel as if they were on real mountain ridges once they ascend the rockery covered with trees and flowers and with streams flowing down the slopes into the pond below. The pavilion on the hilltop, the highest point in Shanghai 400 years ago, commanded an excellent view of the Huangpu River by sails and masts, hence the name “Pavilion for Viewing the River”.
Above the Yangshan Hall is the “Rain Rolling Tower” with its named derived from the Tang Dynasty poet Wang Bo’s poem. A verse of it reads “Dusk finds the pearl curtain rolling up the rain drifting from Western Hill.” It is true that on the four sides of the hall there used to be pearl curtains, which gave off a kind of rain-like sound against the wind. While enjoying in the hall the excellent views of the rockery and pond full of lotus blossoms and goldfish, visitors seem to hear the sound of rain, thus feeling carried away by the poetic surrounding with mountains in the rain.
Behind the rockery is a wall topped with a dragon, called the reclining dragon. There are five dragon walls in the garden, dividing the garden into different scenic sections.
In Yuyuan Garden there are many brick carvings and clay sculptures, dating back to the Qing Dynasty, 300 years ago. Here is a clay sculpture called “Plum Wives and Crane Sons”. The legend connected with the carving describes Lin Heqing who loved plum and crane as if they were his wife and son. Hence the title. Though a great poet, Lin fell out of favor. Disappointed, he lived in seclusion in a country co9ttage on the Gushan Hill in Hangzhou. During the twenty years of his stay there, he did nothing but plant plum trees and raise a crane. Every year, when the plum bloomed, he simply stayed at home and enjoyed the plum blossoms. That was why he was able to write a number of beautiful poems in praise of plum trees, which have ever since been greatly admired and recited by people. His crane Wuno was also a great help to him. When, occasionally, his friends called on him and found him out, his crane would fly around. Seeing the crane, he got the message that would return home immediately to receive his guests. The death of its master mad the crane so sad that it stood in front of his tomb day after day, crying till it died. The crane was buried not far from Lin’s tomb. By the side of Wono’s tomb, a pavilion, the Crane Pavilion, was built in memory of this faithful and loyal wading bird. Perhaps, Mr. Pan Yunduan used this clay sculpture to express his idea that he and Mr. Lin Heqing had the same fate.
The brick carving on the right describes a warrior who came out first in the military examinations at three levels.
At the entrance to the corridor are two iron lions. Cast in the Yuan Dynasty, they are nearly 700 years old. Iron lions are very rare in China as most of them are made of wood or stone. Regarded as the king of animals, lion signified “dignity” and “majesty”. Such lions, usually put in front of palaces or courts, were meant to show the owner’s prowess. It is very easy to tell the sex of the two lions. The rule is that the female one is always put to the left while the male one stands on the right. What is more, the female lion fondles a baby, while the male plays with a ball. There is an old saying in China, “The lion’s cub has to learn how to rough it.” The mother lion makes it a point to give the baby a hard time so that it will be trained into a brave animal. From the way the lion keeps it under her paws, we know that it is the female.
These two lions were originally found in Anyang County, Henan Province. They were shipped to Tokyo and did not return to China until the victory of the Anti-Japanese War in 1945. However, they were put among scraps under the KMT’s regime, which did not care about the historical relics. They were recovered after 1949 and moved to this garden.
We are now walking through the corridor. A corridor provides the link between buildings in ancient gardens. Appearing in different forms---straight or zigzag, high or low, hill-climbing or water-hugging, a corridor is a visitor’s guideline. It divides up the space and combines the views. With every step the visitor takes following a corridor, the view changes. A technique in building court gardens is to create paralleled views. That is to say the pavilions, halls, chambers, and towers should match each other. Here is a case in point. Standing on the Rain Rolling Tower and looking on the right, visitors seems to see a landscape painting dominated by the rockery resembling a real mountain. When visitors on top of the rockery cast their eyes to their left, they will be struck by a genre painting centered on towers and chambers with pavilions, bridges, and ponds tucked away as the background.
The rock in the middle of the corridor looks like a young lady. It serves to block the scenery behind. It is another technique in Chinese garden building.
The plaque above says “Gradually Entering the Wonderland”. It means that you should slowly follow the winding corridor in order to really appreciate the beautiful views ahead.
You can now see another brick carving on your left. The old man holding a walking stick is the God of Longevity. He is distinguished by an abnormally large, protruding forehead, which is deeply lined and crowned with snow-white hair. He is a legendary figure said to be in charge of the life span of mankind. Above the God of Longevity is the Goddess of Mercy.
This is Happy Fish Waterside Pavilion. Surrounded by water on three sides, it is a good place for enjoying goldfish swimming happily in the pond. The pavilion often reminds visitors of the dialogue between two ancient philosophers, Zhuang Zi and Hui Zi. Once they came to a pond like this, Zhuang Zi said, “The fish must be very happy.” Hui Zi asked him, “How do you know they they are happy since you are not fish?” The former answered, “How do you know that I do not know they are happy since you are not me?” Visitors do find themselves in a happy frame of mind when they hear the sound of flowing water and see the goldfish swimming freely in the limpid water of the pond.
This small area itself is a garden as it is completely with the basic elements called for by a Chinese garden: plant, water, building, and rock. The pond, partitioned in the middle by a crenellated wall with the water flowing through an arched opening at the foot of the wall, looking deeper and longer than itself. This is what we call creating the maximum space out of a small area. If your eyes follow the stream beyond the arch, you will see in the water the reflection of people and scenery on the other side of the wall. This is the technique of “scenery borrowing”. It means using the scenery “borrowed” from outside the wall as the setoff to enrich the views inside and make the two become one.
There is a 300-year old wisteria at the corner. It is said the tree once withered but came into bloom again. Some people regard wisteria as a symbol of welcoming guests. When summer sets in, the tree is laden with white, butterfly-like flowers, which give off refreshing fragrance.
This is the Double Corridor partitioned by a wall with open windows. When you look through the windows, you will see different views like traditional Chinese paintings in frames. This is another technique in Chinese garden building called “scenery framing”. One side of the corridor presents you with chambers, towers and a houseboat, which are all static. The other side provides you with the views of water, trees and flowers, which are all in motion. As you walk along, the pictures are changing like pictures.
At the end of the corridor is the Chamber of Ten Thousand Flowers. It is so called because there used to be fresh flowers here all the year round. Designs of plants and flowers are carved on the doors and windows. Particularly eye-catching are the designs on clay sculptures of the orchid, the bamboo, the chrysanthemum, and the plum at the four corners of the chamber, representing spring, summer, autumn and winter respectively. The furniture with carved flowers in the chamber are over 200 years old. In front of the chamber are many rocks brought here from Taihu Lake. Eroded by water, they are in different shapes, many, interestingly, resembling animals.
Here are two ancient trees: one gingko and the other, magnolia. It is said that Mr. Pan Yunduan’s father planted here 400 years ago two gingko trees, one male and the other female. Later the female gingko died and a magnolia was planted in its place. Known as “living fossil”, gingko trees used to grow profusely about 146 million years ago, but are now on the brink of extinction. It is also called “gongsun” tree because it grows so slowly that the grandfather plants the tree and the grandson picks the fruit. The tree looks like a large parachute because its dark green leaves resemble small fans. Its seeds and leaves can be used for medical purposes.
If you look up, you will see the second dragon on top of the wall. The dragon sprawls on the wall, with its head raised high, ready to mount the cloud. Hence the name “Dragon Mounting to the Clouds”. Dragon is a mythical animal. It is said dragon could call up wind and waves. Fairies rode on them or used them as messengers. Dragon is said to have horns like a deer’s antlers, the head of an ox, eyes of a shrimp, the body of a snake, scales of a fish, and talons of an eagle. Regarded as something sacred and the symbol of the emperor, dragons were used to consolidate the rule of the feudal rulers in ancient China.
The dragon has, in its mouth, a pearl which is its life-line. There is also a toad under its mouth. It is said that these two animals depend on each other for survival. The toad lives on the saliva of the dragon. The dragons in the garden all have three talons instead of five. It is said that the owner did this on purpose because the dragons in the imperial palace had five talons and he did not want to offend the emperor by having the same kind of dragons.
This is the Spring Hall (Dian Cun Tang). Being one of the three treasures in Yuyuan Garden, it was built around 1820. the name of the hall was derived from one of the poems by Su Dongpo, a great poet in the Song Dynasty. The name Dian Cun also means ordering one’s favorite theatrical work. In Chinese, Dian means ordering or choosing, while Cun means theatrical work. The Pans used to sit in this hall and appreciate the performances given on the stage just in front of it.
In 1853, people in Shanghai organized a secret society---the Small Sword Society---in response to the Taiping Heavenly Revolution, a peasant uprising against the corrupt Qing government. It was an uprising on the largest scale, with the longest duration and greatest number of participants in the contemporary history of Shanghai. The uprising army once headquartered its northern city command post in this hall. The army took the city and held out for one and half years before it was defeated by the reactionary Qing government in collusion with the foreign powers. However, the uprising dealt a heavy blow at the ruling class. It had remained desolated since the defeat of the uprising. However, after the founding of New China, this hall was restored by the Shanghai local government in 1956 and has been serving as a base for the patriotic education. There is, on the wall, a traditional Chinese painting named “Appreciating the Sword”. It was made by a famous Qing Dynasty painter Ren Bonian, who once took part in the uprising. The Spring Hall is now an exhibition hall, displaying some pictures, weapons, and coins used by the Small Sword Society.
The stage in front of the hall was built partly on water and partly on land. On the roof of the pavilion stage are some clay figures from the Chinese classic novel “The Romance of the Three Kingdoms”. The building on the left, when viewed from the front, is a stage but looks like a pavilion on the water when viewed from the back.
The two-storied structure over there is the “Tower of Happiness” built with Taihu rocks in the shape of clouds. The tower, like a “castle in the air”, seems floating amidst clouds. This scenic section, centered on the “Tower of Happiness” with other buildings around and dotted by rockery, water and “clouds”, presents a mythical touch. Arriving here, visitors feel like entering a fairyland.
This is the Hall of Mildness, located between a pond and a huge rock. The hall, bright and spacious, with windows on four sides, is cool in summer and warm in winter. Please have a look at the furniture on display in the hall. The furniture is made of banian tree roots with a history of over 200 years. The decorations in the hall are also made of banian tree roots---the phoenix on the right, a “Ru Yi” or say “As you wish”, an ornamental object in the middle, and a unicorn on the left.
On top of the wall here are the third and fourth dragons with a pearl between them. They are called “Twin dragons playing with a pearl”. On festive occasions streets packed with people present a bustling scene, whereby twin dragons manipulated by players dance and fiddle with a pearl.
Here is another famous piece of brick carving, “Eight Immortals Crossing the Sea”. Each of the immortals had some magic power and working together they managed to cross the rough sea. It implies the meaning that when people working together with concerted efforts, they will finally succeed.
This is the eastern part of Yuyuan Garden. It was leveled to the ground after the Opium War but has recently been restored. Following the Mind Dynasty-styled “Spring Corridor” flanked by green bamboo, visitors will see Huijing (Scenery Gathering) Tower, the center of one of the three scenic sections in the eastern part. The tower, built in 1870, commands an excellent view of the whole garden. Not far from it is the Nine-Lion Study erected in 1959. visitors may stop in front of the tower and enjoy the elegance of the pavilion in the distance. Or they may cross the stone bridge and following the stone path leading to it. Ascending the pavilion, they may enjoy the sight of the lotus blossoms in the pond or appreciate the tranquility of the pavilion tucked away amidst ancient trees.
Besides a rockery stands another pavilion called Liushang (Toasting). Its shadows are thrown onto the pond. It is recorded that on March 3rd of the lunar calendar every year, men of letters in Shanghai would gather here and compose poems over a glass of wine like Wang Xizhi (a famous calligrapher 1,700 years ago) and his friends did in Lanting Pavilion.
Next to the Liushagn Pavilion is a three-zigzag stone bridge spanning the water. Walking on the bridge, one feels like tiptoeing on water.
On the far end of the bridge is a wall with a moon-shaped door. The words “Yingyu” or leading to the jade” are above the door. The grotesquely-shaped huge rock behind the door will arouse visitors’ curiosity. You will hastily enter the next scenic section---the Exquisite Jade Stone.
Once entering this section, you will find yourself in a world of “jade”. The huge rock, the Jade Magnificence Hall, the beautiful rockery peak and the wonderful corridor all contain in their names the Chinese character “yu” or jade. Even the Yulan (magnolia), Shanghai’s city tree newly planted in front of the hall means “white jade orchid” in Chinese.
The 3.3-meter-high Exquisite Jade Stone is a rare treasure and, actually, one of the three best in China. The other two, one in Beijing and one in Suzhou. It was one of the many valuable rocks which should have been sent to the Northern Song Dynasty Emperor, Huizhong, a rock collector. But it got lost while being transported from the south to the northern capital Kaifeng. It finally ended up in a private garden in Shanghai’s Sanlingtang, east of the Huangpu River. The owner, a local official, when marrying his daughter to the younger brother of Pan Yunduan, presented the rock to his son-in-law as a dowry.
The rock is noted for its slender shape, permeable nature, wrinkled surface and numerous holes, 72 in all. Water poured on the top drips down through the holes, while smoke from incense sticks burned below coils up through them.
The Jade Magnificence Hall was used as the study by Pan Yunduan. It is said that Pan would come to the hall every day and look for a long time at to Exquisite Jade Stone. He thus felt delighted and was inspired to write. The hall has been restored with ancient books, writing brushes and an ink stone on display.
Jiyu Peak used to be in the eastern part of the garden. After the damage done to this part, some remains of Jiyu Peak lay for a long time by the roadside. In 1956, Chen Congzhou, an eminent architect and professor at Tongji University in Shanghai, discovered them. They were moved to the present site during the recent renovation. “Jiyu” means piling up of numerous pieces of beautiful jade.
The Jiyu Corridor, which is over 100 meters long, was built in the style of the Mind Dynasty. It is the longest water-side corridor in China. It is so called because Jiyu Peak stands on it. Added to it are some stone tablets, bearing important dates about the garden. This is considered by Chen a valuable piece of “jade” in the garden.
To the west of the Jade magnificence Hall is the Moon Tower. The name aptly implies that the jade is as bright as the moon. Ascending the tower on the 15th night of August of the Chinese lunar calendar, people will enjoy two bright moons: one in the sky and the other reflected on the pond below. The Moon Tower is, actually, the upper part of a two-storied structure built by a pond in 1883. below the “Moon Tower” is Qizhao Hall, an ideal place for enjoying the beautiful lotus in the pond. There are sixteen screen doors in the winding corridor in front of Qizhao Hall. On each of them there is a carved picture of ploughing and weaving. On the eaves of the hall, there are many Chinese characters of “longevity” carved out of wood. They are called “hundred-longevity map” with distinct national feature.
On the eastern wall is another brick carving “Guang Han Palace”. It is a palace in the moon according to a legend. The lady in the middle of the brick carving is Chang E, known as the Moon Goddess. She flew to the moon after swallowing an elixir of immortality stolen from her husband, Hou Yi, who got it from Xi Wangmu (Heavenly Empress) of the Kunlun Mountains as a reward for shooting down nine suns in the sky. Wu Gang is another legendary figure on the moon. As he had made some serious mistakes while studying under a deity, he was ordered to fell a cassia tree growing on the moon. Every time Wu Gang raises his axe, the cut he has just made grows over, so he must go on chopping for eternity.
To the south of the Exquisite Jade Stone are the screen wall and the Coiling Dragon Bridge. Both are new additions built in the Ming style. Carved on the wall are the four Chinese characters “Huan Zhong Da Kuai”, meaning “happiness under heaven”. What is now one of the exits of the garden used to be the entrance. Once Mr. Pan entered the garden, he would enjoy the “worldly happiness first and then appreciate the rest of the beauty in the garden.
The eastern part of the Yuyuan Garden, only 0.5 hectare in size, has ponds taking up 60 percent of the total area. The halls, pavilions, chambers and bridges and their reflections on the water contrast wonderfully with each other, making the area loo much larger in size.
Here we are in the Inner Garden, formerly the back garden of the City God Temple. It was reconstructed in 1709. this typical Qing Dynasty-styled garden only covers 0.14 hectare but is exquisitely and tastefully laid out. How apt it is to call this a garden with a garden!
Here is the Hall of Serenity, the main building in the Inner Garden. If you stand in front of the hall and quietly look at the rocks opposite, you will, again, find that many of them are in the shape of animals.
Two stone lions squat on both sides of the hall. Each of the lions has a small ball in its mouth. The stone ball is carved inside the lion’s mouth.
There are some sculptures on the roof of the hall. The one on the left is Yue Fei, a famous general of the Song Dynasty. To this day, people still speak highly of him for his meritorious deeds of resisting the Jin invaders.
This is the Nine-Dragon Pond built with Taihu rocks. There are actually only four dragons carved on the rocks, but with their reflections on the water and the pool itself in the shape of a dragon, they make up nine dragons altogether.
This brick carving “Guo Ziyi Being Congratulated on His Birthday” is a pice of art work of the Qing Dynasty going back 300 years. Guo Ziyi, a general of the Tang Dyansty, suppressed the rebellious minister An Lushan and later drove away the invading enemy. He was once looked up as a symbol of happiness, fortune, and longevity.
This is the Sleeping Dragon, the last of the five dragons in the garden. Its scales are carved out of clay while those of the others are made of tiles.
On top of the rockery stands a two-storied pavilion. Stopping here for a brief rest, you may enjoy the beautiful views around the feel delighted.
This is a stage built in the Qing Dynasty-style with exquisite carvings and elaborate decorations. It is the oldest and largest stage preserved in perfect conditions in Shanghai. On the sides of the stage are two-storied buildings for audience to watch performances from both floors.
英文的導游詞 篇5
the great mosque at huajue lane
the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.
however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.
islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.
however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.
among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.
the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.
according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three –storeyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.
the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.
the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.
英文的導游詞 篇6
Good morning! Ladies and gentlemen:
Today we will go and visit the Nanyue Temple, Nanyue Temple is situated on the northern tip of Nanyue Township and at the southern foot of Chidi Peak. In a layout of nine rows, It is the largest and best-preserved ancient palatial architectural complex of south China. Magnificent and splendid with resplendent upturned eaves. Inside the east in parallel to eight Buddhist palaces on the west, It is indeed a wonder in the history of religion that Taoism. Buddhism and Confucian culture can co-exist within a single temple.
The exact time of the construction of Nanyue Temple is unknown. It existed asearly as in the Qin and Han Dynastis. Originally Located on the summit of Zhurong Peak, The temple was later moved to the mountain foot to facilitate the religious activities. The beginning of the Tang Dynasty witnessed the formal construction of the Heavenly Lord Huo"s Temple" the "Heavenly Master Temple". So as to enshrine and worship the Gods of the five sacred mountains, During the Song Dynasty the immortal of the Hengshan Mountain was revered as the "Heavenly Master Zhaosheng",as a result the temple was gradually expanded and enlarged. Since the Tang Dynasty Nanyue Temple had beed subject to six fires and 16reconstructions all through the Song. Yuan, Ming and Qing Dynasties. In the 8th year of Emperor Guangxu"s reign in the Qing Dynasty (1882 A.D), the Imperial Court ordered the rbuilding of Nanyue Temple. Which had been ruined by lightning, The project was imitative. Copying the styles of the Imperial Palace. And even to the present day it is still well preserved.
Fenced with red-brick ue Temple ccupies an area of some 70.000 square metres. From north to south lies in sequence nine rows and four courtyards-Lingxing Gate. Kuixing Tower. Chuan Gate. Pavilion of Imperial Study, Main Hall, Dwelling Palace and the Northern Rear Exit. The whole architecture complex stretches across on axis extending from south to north with its halls linked up together. The winding corridors and wing-rooms on both sides merge with each other. Accentuating the magnificence of the stature of the principal part. On the east side of the main temple there are eight Taoist palaces. Coordinating with eight Buddhist palaces on the west side.
The first row is Lingxing Gate. Two gilded Chinese characters "Mountain Temple" are shining on the white marble at the top of the gate. The marble gate stands as high as 20 metres with a width of 1.1 metres and is meant to imply that during the past dynasties all the religious activities were officiated by real knowledgeable people. The second row is kuixing Tower. The most perfectly preserved ancient stage in Human a breadth of 35metres and a length of 12. Its fa?ade facing the main palace, the stage is the place where people hold religious activities and perform local operas during pilgrimage. Before the tower stands a pair of 2-metre tall stone Kylin (Chinese unicorn). With their furious eyes widely open. They are like two solemn looking sentinels guarding the tower.
The pebble path under the Kuixing Tower leads to the third row-Main Chuan Gate. East and West Gates. The gateway is made of gray bricks with an awesome depth and height of 15 metres. The courtyard within is filled with dense cypress trees and carpeted with green grass. The fourth row is the Pavilion of Imperial Study. Distinguished by its gilded tiles. Octagonal doubleeaved roofs and exquisitely-crafted arches. Inside the pavilion there is a Bixi in the shape of a legendary animal like tortoise. Legend has it that Bixi is the ninth son of the dragon. The Bixi carries an imperial stele on which the full text of On Rebuilding Nanyue Temple was carved in the 47th year of Kangxi"s reign(1780 A.D.) in the Qing dynasty.
The fifth row is Jiaying Gate. Named after the line from The Annals of Han-Books of Rites and Joys: "This row is the place where local magistrates and monks welcomed ritual officials dispatched from the capital. After the Jiaying Gate the sixth row comes into view-Tower of Imperial Study. Which is the storehouse of the collection of imperial calligraphies ages and inscribed boards concerning the past emperors" ritual presentations to the mountain. Sweeet osmanthus ahead of the tower submerges the building with its refreshing scent when it blossoms every autumn.
The seventh row is the Main Palace. Surrounded by towering old trees. Camphor trees planted in the Song Dynasty and cypress in the Ming Dynasty compete with each other in setting off the beauty of the upturned double-roofs and the splendour of the palace. Adding tremendous awe to the Main Palac. As it stands 29.11 metres, its girandeur rivals that of the Palace of supreme Harmony in the Forbidden City in Beijing. Inside the palace there are 72 stone pilliars, standing for the 72 peaks on the Hengshan Mountain. The two huge pillars upholding the main roofs were cut out of a whole granite. Each weighing 14 tons.
Encircled by the balustrades are 144 relief sculptures carved out of white marbles. Based on Shanhai Jing . Pillars on the forefront overlap. Carved on them are 56 historical and legendary thles . On the square door were carved the Images. On the square door were carved the Images of the 24 filial Sons and the Images of the 18 Scholars. Here tourists can get a rough idea of the age-old Chinese Confucian and Taoist cultures. Clay statues-Heavenly King Zhaosheng and General Jin and Wu line up in the palace with their impressively dignified look, calling forth in tourists a feeling of profound respect.
The eighth row is the dwelling Palacewith double roofs and in perfect harmony with the whole mountain. This structure keeps up the architectural style of the Song Dynasty and is decorated with coloured drawings and patterns whichare popular among palaces in the North. giving a sense of gorgeousness to this palace. The ninth row is the Northern Rear Exit. The end of the axial architecture, with Zhusheng Palace to the right and Chief God Palace to the left, At the back of the exit. A path leads farther into the mountain.
Nanyue Temple occupies a prominent position in the history of ancient Chinese architecture. It carries the grandeur characterized by palaces in the North. And at the same time it smacks of the loveliness featured by gardens in the South. The architectural arrangement of the temple is clearly demarcated and gently modulated. Strongly indicating the ingenuity and originality of the craftsmen. Its ground and upper layouts are like an eternal musical movement with its own overture, main body and coda. Demonstrating the excellence of ancient Chinese architecture.
Nanyue Temple carries a profound cultural connotation. It boasts a large number of clay statues. Wood engravings and stone carvings, which are all closely linked up with Chinese tradition and culture. Over 800 dragons of various sizes, which are the symbol of the Chinese be found everwhere in the temple. The carvings on the roof wood and white marble balustrades are an encyclopedia of ancient history and mythology. There are fairy tales- "Pan Gu Creating the Universe." "Hou Yi Shooting the Suns", "Jing Wei Filling up the Ocean"-; real stories about some historical figures- "Su Wu Shepherding Sheep." "sleeping on sticks and Tasting the Gallbladder." "Da MO Crossing the Sea"- ; legends extolling filial piety- "Melting the Ice with Body Warmth to Catch Carps." "Weeping on the Bamboo until it Turns into shoots"- Most of the carvings are the lgends about the earliest ancestors of Taoist immortals. As early as in the Qing and Ming Dynasties, clay status, wood engraving and stone carving were reputed as "the Three Wonders to the South of the Yangtze River."
All through the dynasties Nanyue Temple has been a thriving place to hold religious activities both for the feudal imperial courts and the ordinary people. Every year the temple greets nearly 1.000.000 pilgrims. The offerings, presentation, titles and other customs are almost the same as they were thousands years ago. There are "bowing pilgrimage" in which the pilgrims bow with each step or with every three steps , and "hunger pilgrimage" in which the pilgrims bow with each step or with every three steps. "And hunger pilgrimage" in which the pilgrims refrain from food during their trip. More often. Pilgrims would set off in throngs. They wear gray clothes with a red cloth attached to their chest reading "Hengshan Mountain Pilgrimage." Holding buring incenses in hand. Those pious pilgrims chant pilgriming theme" to pray for the peace of the nation and the wealth of people, making it a really spectacular scene on the mountain.
英文的導游詞 篇7
emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum
emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.
in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.
after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.
emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”
emperor qin shihuang,for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.
no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.
no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.
no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.
no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.
the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.
in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.
no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.
英文的導游詞 篇8
Everybody is good! I am a youth hostel Robert zou, you can call me small fang, but not the small fang in the village. Welcome to the world heritage of "lijiang ancient city".
Dear visitors, we have been in the beautiful ancient city, in front of the ancient city, you will see two large wind turbines turn happily in the water, the water inside will be measured, so please be careful. The windmill represents the symbol of the ancient city of. Here, let me introduce the lijiang ancient city, lijiang ancient city, 2400 meters above sea level, is the center of the lijiang naxi autonomous county, city, city formed in the late southern song dynasty, has a history of eight hundred years, the area of 3. 8 square kilometers, has about 30000 inhabitants, was listed as a world heritage site in 1997.
Is the center of the city square street, the ground is paved with multicolored, step will be clicked, no two sifang street inn central design is the same, you can also visit. Said so much, I still take you to a creek, everyone to see! This stream is put river lanterns. Put river lamp is a kind of old custom, it is said that every night dragon king to tour city, put a river light! However, please do not litter.
The tourists, lijiang ancient city is filled with the beauty of the people linger, said also said not, I hope you come again next time.